What’s is it about Champions of Magic that has allowed you to draw large audiences on 6 UK tours and 2 North American tours over the past five years?
I think there are a number of reasons why it’s been successful. There’s no doubt about it, live magic is popular at the moment.. Talking specifically about the show, we think the name is brilliant. Champions of Magic; it’s about as clear a show title as it can be. It feels like a safe, solid bet for an evening’s entertainment.
It has a multi-magician line-up with different styles of magic-- if you don’t like one performer or style, you’ll like one of the others.
The varied line up also allows for much more flexibility within the show, therefore broadening its appeal. The show is constantly evolving both on and off stage. The branding and marketing changes as the producer (an incredibly hardworking, dynamic man called Alex Jarrett) learns from each run of the shows we do.
What surprised you most about performing in different countries? Have you experienced anything specific about Canadian audiences in particular?
I think if you chat to most magicians who have developed their acts for British audiences and then transitioned to North America, they will say the same thing: audiences over your side of the Atlantic are SO much better. They are less cynical and more vocal in their praise. Why that is we're not sure, it could be because magic has a great reputation or they are more conditioned to ‘join in’ with sports games being such a huge feature of the culture. We’ve only done a handful of shows in Canada probably not enough to distinguish between American and Canadian audiences. Maybe you can give us some pointers?! The shows we are doing in Toronto are over the holiday season so it should be a fantastic run of shows with everyone in good spirits.
Life on the road isn’t all glory and glamour. There are tight schedules, never-ending bus rides, questionable accommodations, missed connections, and broken or disappearing props.
I’m glad you recognise that. It’s all too easy to look at the touring life (especially through the lens of magician’s social media) and think “that looks like the absolute dream lifestyle.” It is amazing but does have a equal amounts of highs and lows.
Tell us about your most memorable touring misadventure.
One of the biggest benefits of being in a large scale touring show is that you end up with a lot of interesting stories, so to pin it on a single anecdote is difficult. However we did a show recently at a casino near Seattle and flew out the night before. When we landed, we had a message from the trucking company saying the truck had been caught in heavy weather and simply wouldn’t make it to the event. I should say that if you have seen any of the advertisements for Champions of Magic or seen the show itself you’ll understand that it is a large scale show. In our set alone there are nine illusions framed with top level production. So to have no truck is an absolute disaster.
No truck? No props? Oh no!
Fortunately, the event we had been booked for was a little unusual with a theatre at one end of the room and dining tables tightly packed into the floor space. It allowed for the guests to enjoy a three course meal followed by the evening show. We took a taxi to the local magic shop in Seattle, while the rest of the cast and crew brainstormed what they could do in order to make the show happen. It’s amazing how resourceful five magicians can be when the chips are down. We also gave extra value by performing close up magic around the tables prior to the show, which kicked the whole thing off on the right foot.
One of the things we did was have a crew member dress and [Editor's note: The content that followed contained super secret secrets and has been redacted. Hey. I said it was super secret. Did you think I was just going to leave it here for you in plain text?] Of course a little rehearsal before, the use of a devil’s handkerchief (courtesy of the Seattle Magic Shop) and an audio track that is as well known to the magic community as David Copperfield himself, created one of the best reactions of the night.
Alex McAleer the Mind Reader did an extended performance, along with Kayla Drescher (the specialist close up magician in the show). Young and I were forced to resurrect a card production/manipulation act we used to do, along with a comedy routine we had for silk in Egg. Fernando Velasco (the escapologist in the show) did a variation on Smash and Stab and by the time the show had finished the audience went crazy.
It seems no level of production can compete with confusing a bandana for a banana.
So as to not scare off any aspiring performers, please share with us your favourite touring experience and / or strategies you use to maintain your sanity on tour.
Without sounding like PR spin, we are like a big family off stage. We all get on well and look after each other. We go to the gym together, share apartments together and spend most of our time hanging out. We are fortunate to have an excellent producer, Alex Jarrett, who is laid back, very funny and incredibly hard working. He strikes the perfect balance as a boss and allowing us to have fun. He’s been incredibly selective in which magicians are in the show, not only for their acts but also for their attitudes off stage. Magicians are well known for their ballooned ego’s and ensuring everyone gets on with each other is just as important as the show itself. We joke around all the time and every show has something that makes us laugh.
