Last September we had the pleasure of listening to two well respected master
card magicians speak. Both of them touched on the topic of
practise.
Magician A suggested that reviewing video recording of one's performance was
optimal because among other things, magicians are unlikely to catch a poorly
performed sleight in the mirror.*
Magician B suggested that performing in front of a mirror was the way to go,
because you need to learn how to adjust in real time, if something goes
wrong in the execution of a move.
They both raised valid points. We got to wondering how you, dear
readers, practise?
What do you do when you practise? Do you: A. Use a
mirror B. Video record the session C. Both of the
above D. None of the above E. I don’t practise
Seven people replied. Two were 3-way mirror responses, two were video
responses, we had two responses from those who do neither, and one of you have
a very thoughtful practise involving both mirrors and video.
The practise preference was divided along social media platforms.
Facebook preferred video,
Instagram favours mirrors or neither.
(With N=7 it's difficult to draw meaningful inferences. We found
it interesting nonetheless.)
Chris Yuill wrote: " If you use a mirror but look down to look at the props you
miss seeing what happened at that moment. Just my opinion.
"PS if
you video yourself to post on social media, watch the video first before
posting. See too many crappy videos of crappy done magic on FB and the
gram."
"Mirror at home when first learning a new sleight or routine (3 mirrors
one head on, two at 45 degrees on each side), also practice facing the mirror,
then turn right angle to one side so you can see what people see over your
shoulder or looking behind you, then repeat on the other side - when you are
satisfied that you do not flash, then record at home several times
while tweaking, adjusting blocking, checking script and timing, etc. and then
definitely record the first time if it is a stand up routine. Close-up if you
do all of the above, you should be bullet proof when you perform. However, you
will continue to make adjustments and improvements once you have performed the
first 100 times - in Martial arts it is said that you must do a move 10,000
times before you can start to really learn it - in Magic it is not 10,00 but
definitely after you have field tested a routine, trick or sleight a minimum
of 100 times, you can start to really understand the subtleties involved.
Real world practice is best, just make sure you are bullet proof before
you perform out in the world or you make us all look bad. Carry
on......"
We have nothing to add to Eric's excellent answer. It seems that the
method of practise is often presented as a false dichotomy. One or the
other. In reality, a blend of both may be the recipe for optimal
results.
In the comments, let us know whether you use mirrors or video or both in your
practise!
--
* We have heard it said that when practising in front of a mirror, magicians
are more likely to blink while performing the sleight, and therefore will be
unable to see themselves flash or make a mistake. We wondered if there
was any literature to back this claim. This is what we found:
From a 2022 paper by Anthony Barnhart [emphasis added]: "Indeed,
magicians were more likely to blink when engaging in deceptive action than
when not, and blinking was more prevalent when performing more difficult
sleights.
However, this tactical blinking was only evident in the performance
setting." [1]
A quote from Anthony from a September 2022 article [emphasis added]: "'While
my magician participants were
more likely to blink their eyes when carrying out deceptive action than
when not, this tendency was increased in a performance setting without a
mirror compared to a rehearsal setting with a mirror,' Barnhart explained to PsyPost. 'This was surprising and didn’t match the
predictions from the world of magic.'" [2]
Other thoughts about practising in front of a mirror:
"Do not watch yourself in a mirror as you practise. You cannot perform the
action naturally if you divide your attention between what you do and how it
looks. Moreover, mirror watching has a tendency to cause the eyes to widen;
this is not attractive and can become a fixed habit." [3]
References:
Barnhart, A. S., Richardson, K., & Eric, S. (2022). Tactical blinking
in magicians: A tool for self-and other-deception.Psychology of Consciousness: Theory, Research, and Practice,9(3), 257.DOI:10.1037/cns0000321
We recently reported our random thoughts about "Champions of Magic -- Holiday Spectacular" in Toronto. Frances Morgan, whose official role in the production is "Magic and
Props Assistant," kindly agreed to do an interview with us.
Based in Spokane, Frances:
performed as a Magician’s Assistant at Silverwood Theme Park in 2022 Read more (click to show | hide)At the theme park we did grand scale illusions as well as a few smaller
illusions and routines. My favorite was our opening act that the
magician and I created together (about a week before opening day!) I got
hired quite unexpectedly, and had to jump in quickly. I was hired at the
end of May and the full season started the first week in June. Before
that, I had never been involved in a magic show in any capacity. So it
was quite the adventure having to learn everything in such a short
amount of time. That lasted a season before I moved on to starting my
own show and forming my company, Inland Northwest Magic [INWmagic.com].
debuted her first show as a magician in 2023,
won First Place in the Spokane Magic Club's Close-Up competition, Read more (click to show | hide)
For my first local competition, I did some simple card routines, but
what I have always stood behind is even the most simple magic can be
amazing with the right presentation. I had music playing in the background, chose my setup carefully and rehearsed until the last moment
to make sure it was ready. It was my first competition and I had just
debuted my first solo show a few weeks prior, so that October was a fun
and busy month! Some of the card moves in the routine I performed were taught to me by the magicians I met through the magic club
and competed in the 2024 IBM Stage Competition.
Read more (click to show | hide)At the annual IBM International Championship, I competed in the
Stage Magic category. I had just joined the IBM as I had been
elected Vice President of my local magic club and needed to join
the IBM in order to do so. When I joined, I saw they had a convention
coming a few hours away from me in Washington and knew I had
to go. Magic conventions rarely, if ever, come to Washington
or Idaho so I took hold of the opportunity and it was one of the best
decisions I have ever made. When I joined, I saw they also
had a competition and figured I had nothing to lose so I sent
in a video on the last day available for submissions. I had only been
performing as a magician for a short while, so I looked at
the show I had, took the routines I got the best reactions
from and created a new sequence to make a roughly 8 minute routine. I
went to a local park with my friend, we filmed it, went to a
restaurant and uploaded it.
I never actually expected
to hear anything back, but about a month later, I saw an email in
my inbox from IBM. The headline was simple “I.B.M. Contest”;
the opening, polite “Thank you for sending your submission
for the 2024 Tacoma I.B.M. Convention Competition.” Reading this,
I fully expected it to be a polite ‘thanks but try again
later’ kind of email, but to my surprise I read and re-read
and for good measure read again the next line. “Congratulations, we are
pleased to inform you that you have earned a spot in the
finals of the Gold Medal Competition and will appear on the
International Stage Championship”. I began to jump and run around the
house in complete shock and happiness. That competition was
my turning point as a magician.
Competing at IBM, I
truly felt like I was a magician. This was not just friends and family,
this was a panel of judges who looked at my performance and
said ‘yes, she can compete at this convention’. It
truly is and was an honor to be there.
I did a linking ring
routine (which I started to perform at the request of my mom who has
always loved the linking rings and which has since become a
staple in my shows), a dream bag production, where I make
flower boxes appeared; and a torn and transformed paper to
kabuki effect.
What is your first memory of magic?
When I was about 3 I went to a theme park and there, I experienced my first
magic show. My favorite routine was when the magician made a table
float on stage and to my astonishment, proceeded to walk down the
stairs into the audience with the table! Ever since then, the
floating table has been one of my favorite illusions to perform.
When I went to my first magic convention, I had the honor to meet
the builder of the illusion, and have been performing it ever
since.
What genre of magic has your focus currently?
Everything! Different circumstances allow for different magic. My love of
magic stems from my love of connecting people and bringing stories
to life. I am working on a Valentine's theme show using both stage
and close-up magic. The theme is a love letter to magic and wonder, and
will be performed in a movie [theatre] that was first owned by a
magician. I have the honor of being the first magician to perform magic there
since him in the past 50 years! A show that gets to play with a history
like that is such a thrill and an honor.
I love the theatrics
of stage magic and helping the audience get lost in the wonder and story
of it. Theatre is my first love, having grown up performing since I
was about 3 years old. Close-up magic is a new adventure and for
me, the appeal lies in connecting with the audience in an up close
manner. Having magic happen in your hands as an audience member is one of the
most amazing things you can experience. I also love doing
walk-around magic for events. I usually start with just conversing
with people. Many people have at least some small connection with magic,
and often I can utilize that when I perform magic for them. I get to have fun
weaving their stories into the magic to create something personal
for them and unique for me.
Why did you want to become part of the Champions of Magic behind-the-scenes
family?
I saw Champions for the first time in 2022. It was my first time seeing a
magic show of that magnitude and I absolutely fell in love with it!
My favorite part was the ensemble aspect of it. Magic usually
features the solo magician but growing up in theatre, nearly every show I saw
had an ensemble of actors working together to build a story. The
ensemble aspect of Champions felt more natural and exciting to me.
One of my favorite parts of theatre is getting to play off the other
actors in a scene, and I got to see that same playful creativity with
Champions.
Magic has this amazing ability to bring the
audience into its space. Unlike other forms of theatre, magic
breaks the 4th wall and gets to incorporate the audience unlike anything else.
Magic has all the wonderful qualities that I love about theatre and
then some. It is more spontaneous and can connect with an audience
in a unique way; Champions shows that in a wonderful and grand display.
What are your roles on this tour?
I get to do a little bit of everything! My official title is Magic and Props
Assistant. I work primarily with the props team and between the
three of us we take care of over 200 props in the show, from sunglasses to a
sparkly, metal moon. We build, repair, improve, set, strike and pack all the
props every new show day. I also get the chance to be onstage as an Assistant
for a few of the acts. For one routine, I get to wear the dress I wore as an
Assistant in the theme park, so a fun personal call back, and I also wear a
necklace of a snowflake that my family gave me for Christmas a few years ago.
For me, it is a way to bridge my past experiences with this new
chapter.
What surprised you most about touring with this ensemble of magicians?
This is my first tour and I have an immense amount of respect for the stamina
of this group! Especially the crew and the producer. Every person
works incredibly hard and will jump in to help when needed. If one
of us is sick or injured, or simply let something slip in the rush of
the moment, we all try to pull together to help one another and
give the best experience possible to the audience, while supporting
each other as a team.
Tell us about a highlight from this tour.
One highlight was at one of the shows, we invited a kid onstage and he had
the best time! I got to interact with him and his mom off stage
and his whole face lit up at being a part of the show. Getting to
inspire people of all ages is just spectacular!
What compelling reasons are there to come see "Champions of Magic:
Holiday Spectacular"?
Theatre is magic when seen live, and a live magic show is theatre on another
level. This show has something for everyone of all ages. One of
my favorite aspects is the different genres that come into
play.
Some examples: we have a callback to old Hollywood detective mysteries, a
sit-com holiday party, and a tribute to grand scale Las Vegas magic
shows. We also get to bring a few people up on stage to
witness the magic up close!
Is there anything else you’d like to share with the readers of Canada’s
Magic?
Happiness is magic. Keep sharing the magic. Join the email
list of Champions of Magic and come follow along on
the adventure!
Thank you Frances, for making the time to answer our questions and congratulations on your recent achievements!
Learn more about Frances at her website INWmagic.com and sign-up to her
email list.
This concludes the 2025 Inspirational Canadian Magician Showcase
(ICMS)!
We hope you enjoyed reading about many of the talented magicians across the
country. Thank you for joining us on the journey.
A huge
shout out to everyone who submitted names and supporting text to us last
month. Thank you for generously making the time to celebrate your peers!
Thank you for the thought and time involved in sending us your
submissions.
Congratulations again to everyone featured. Keep up the
great work!
Be sure to click on the links below to find out what makes each magician
inspirational in their own right. The story isn't just about
who was selected. Of equal, or perhaps greater importance, is
why they were selected!
It's time for our third annual Inspirational Canadian Magician Showcase
(ICMS)!
Back in 2023, we reached out to magicians across Canada to see who inspired them. And then in 2024 we reached out to the 2023 nominees and asked them to pay it forward by generating a list of their Inspirational Canadian Magicians for 2024.
In October, we touched base with the magicians featured in
last year's ICMS
and asked them to write two to four sentences about someone in the Canadian
magic community who inspired them in 2025. (They were given the caveat
that the magicians in last year's showcase were ineligible to be named in this
year's showcase.) Not all of last year's nominees were able to contribute to this year's showcase.
Over the next couple of weeks, we'll be hosting a showcase of the submissions,
in no particular order.
We hope you enjoy!
2025 Inspirational Canadian Magician Showcase.
Note: This is not intended to be a comprehensive list of the
inspirational things magicians are doing across Canada. Instead, think
of it as the community highlighting a random sample of excellence at a single point in
time.
Micheal Close's Explorer 1 Teaching the magic beyond the tricks
Has your magic has plateaued in spite of owning shelves of magic books, a hard
drive full of instructional downloads, and drawers full of magic
effects? Enter “Explorer 1: Transform Your Magic” a 6 week online course
offered by Michael Close.
As you are likely aware, Michael is well known in the magic community for his
excellence as an author, a creator, a performer, and a consultant. For
those unfamiliar with Michael’s work, I encourage you to read Jamy Ian Swiss’
2018 article “The Paradigm Shift – Volume One & Volume Two by Michael
Close” at Magicana.
I participated in the beta testing of these classes, in addition to
auditing the first run of the course. The classes methodically cover
foundational sleights with both cards and coins. One of the biggest
benefits to learning from Michael, a performer with decades of experience
under his belt, is that he teaches fundamental material with an
awareness as to how the skills will be applied as one advances their
ability. In other words, the foundational sleights are taught in a
versatile manner, ready for use in more sophisticated situations. This
approach results in accelerated learning – you only have to learn a skill
once!
Michael’s approach to teaching magic, mirrors in many respects, The Royal
Conservatory of Music's approach to the method and practise of teaching
music. (This comes as no surprise given Michael’s Masters Degree in
Music Theory and Composition.)
What do I mean by this? A music teacher will introduce their student
music theory concepts (such as a key signature, and rhythm), and provide them
with a piece of music to practise which incorporates these ideas. As
music students practise with the goal of performance in mind, the teacher will
discuss musical technique, as well as introduce critical analysis of their
student’s efforts.
On the surface, Micheal teaches foundational sleights, along with tricks which
incorporate these fundamental skills. While the tricks are logical a
vehicle to demonstrate the use of the newfound technical expertise, they more
importantly serve as case studies for broader theoretical concepts important
to maximizing the entertainment value of magic performance.
Simply put, the tricks are not the lesson. They are the
springboards that permit Michael to introduce theory that elevates the performance of magic.
Michael presents his well crafted lessons in a manner which is clear and
easy to follow. Nuggets of wisdom gleaned from years of performance and
consulting pepper every session. The classes are a safe and nurturing
environment that puts the students at ease. In these classes, questions
in search of understanding are always welcome.
Michael provides a manageable amount of assigned and supplemental reading,
invoking wisdom from magicians such as Jamy Ian Swiss, Juan Tamariz, Larry
Hass, Jon Racherbaumer, and of course Dai Vernon.
As an added bonus, course enrollment includes exclusive, limited-time access
to the Ask Alexander Digital Library, provided
by the Conjuring Arts Research Center.
In keeping with the music class analogy, during the course Michael said this
about foundational sleights:
“... one of the good things about developing a toolbox of techniques of
sleights that you are competent at, is it makes reading magic books a lot
easier. You're almost like musicians when they sight read a piece. If I
have all my scales and my arpeggios and all these things under my fingers to a
reasonable degree, then as I look at a new piece of music, I can get a sense
of what that piece of music is as I sight read.”
Similarly, if you embrace the theoretical concepts, while also developing your
analytical and critiquing muscles, you will be able to utilize this knowledge
to enhance any magic performance, from close-up to stage.
I
had an overwhelmingly positive experience participating in these
classes. If you’re looking for a way to shore up your sleights, and
elevate your presentation skills, this is the course for you!
To
register, or for more information, visit Micheal's website at MichaelClose.com.
Disclosure: I beta tested and audited the classes as a guest.
The opinions expressed above are entirely my own. I did not receive
compensation for the writing or the publishing of this article.