Showing posts with label # CM. Show all posts
Showing posts with label # CM. Show all posts

11 June 2026

Random thoughts about Explorer 2: Build your skills

Michael Close's Explorer 2: Build Your Skills
Teaching the magic beyond the tricks

This article first appeared in last month's issue of VANISH (May 2026 #142, pgs 78 - 79).  Republished with permission. 


From MichaelClose.com:

“Explorer 2 continues the structured training from Explorer 1, focusing on rarely-mastered sleights and advanced routining. You'll refine your technique, learn Michael's deceptive new handling of a popular stand-up effect, and develop the skills that separate hobbyists from performers.” 


  Prerequesite  

     

    Michael Close has decades of experience performing and has authored fifteen books of original material for magicians, including the highly regarded “Workers” series.  He is a sought-after magic consultant, notably consulting for “Penn & Teller: Fool Us.”

    Last Fall, I had an overwhelmingly positive experience auditing Michael’s six week online course, Explorer 1: Transform Your Magic.  In level one, Michael introduces a dozen foundational sleights (with cards and coins), more than a half-dozen tricks that incorporate the sleights, theory, critique, and insights on practise, finding your style, construction, routining, and presentation.

    It goes without saying that I was eager to discover what Michael had in store for the next series of classes in Explorer 2.

     

     

     

     

    The classes build directly on the material presented in Explorer 1.  Michael methodically expands our knowledge base on foundational sleights with both cards and coins.  In these classes there is a focus on some card and coin techniques that are often poorly executed by magicians in general.  Guided by Michael’s extensive real-world experience observing what can go wrong in their execution, he teaches the skills in easy to digest layers (including the assignment of preparatory exercises), as well as alerting the students how to both mitigate and circumnavigate potential issues.

     

     

      Explorer 2: Build your skills  

    Topics covered include:

    • Review of Explorer 1 foundational sleights with cards and coins.
    • Approximately twice as many foundational sleights are explored with cards and coins in Explorer 2 compared with Explorer 1. 
      • More than a dozen card techniques are taught.
    • Roughly twice as many effects are shared incorporating those sleights (no gaffs needed!) in Explorer 2 compared with Explorer 1,
      • Several excellent coin effects, including one of the most baffling coin routines I have ever seen.
      • More than a dozen card routines.
      • The repertoire consists of venerable effects with Michael’s added refinements, touches, and insights.  There are no performance restrictions.
    • Six weeks of insightful magic theory, perspectives, and history.
    • The critique, deconstruction, and mindful reconstruction (with deceptive new handling) of a popular stand-up effect.

     

    The format for Explorer 2 is similar to level 1 of the course.  The online classes are about an hour in length, delivered weekly, and run for 6 weeks.  The class size is capped at twelve students, which allows students to participate in discussions, ask questions, and receive personal attention.  The classes are recorded, which means if you are absent for a class, you can watch the recording on your own time before the next class.  (It’s a tremendous gift if you’re having difficulty mastering a move because you can slow down the video!)

    Michael provides many opportunities to ask questions both during and between classes.  While there is no requirement for students to perform during classes, he encourages them to submit videos of their progress for him to provide feedback.  He is also available by email to answer questions between classes.

    One huge advantage to learning this material from Michael is his ability to draw on his considerable knowledge and experience to suggest alternative handlings if one’s skill set or dexterity aren’t quite up to the material as initially presented.  He can tell you the “why, when, and how” of the technique creation and point you to suitable workarounds if required.



    Michael teaches with the end in mind.

     

    In contrast to Explorer 1, where it was recommended to practise fifteen minutes a day to achieve mastery by the next class, many of the techniques presented in Explorer 2 require greater daily effort and may take longer than a week to truly master.  It is recommended that you set aside at least thirty to forty-five minutes a day for practise.

    With respect to teaching effects and routines, Michael provides insights into an effect’s construction.  Theory is interspersed with the card and coin technique.  He shares his thoughts about the routining and what can be done to elevate the experience of the spectator.  Michael offers constructive criticisms and encourages his students to do the same.  Thought is given to the optimal way to present the effect and reading material is assigned to provide context regarding an effect’s creation and subsequent evolution.

    Similar to Explorer 1, Michael has both assigned and supplemental reading, sharing wisdom from magicians such as Stewart James, Roberto Giobbi, Arturo De Ascanio, Jon Racherbaumer, Frank Garcia, Johnny Thompson, Martin Gardner, and John Carney.  (We also received the notes to Michael’s fantastic 2017 lecture "Magic Theory, or Magic Fact? Let's Find Out.")  The reading material serves to frame the lessons by reinforcing critical thinking skills, walking through the history and refinement of effects, and expanding on the opinions and observations of notable figures in magic.

    As with Explorer 1, most of the class materials for Explorer 2 continue to be available to the students beyond the six week course enrolment.

    I had a fantastic time and learned an incredible amount participating in Explorers 1 and 2!  If you’re looking for a way to refine your technique and elevate the impact of your performances, the Explorer series is for you!


    For more information about the Explorer series of classes, visit MichaelClose.com.  

     

    ---

    Disclosure:  I audited the classes as a guest.  The opinions expressed above are entirely my own. I did not receive compensation for the writing or the publishing of this article.


     


     

     

    05 June 2026

    Checking in with James Alan's show Mysteries and Lies at The Toronto Fringe

    The Toronto Fringe (June 30 - July 12) is fast approaching!  

    James Alan kindly agreed to answer some of our questions ahead of his upcoming show Mysteries and Lies at The Toronto Fringe.

     

    Checking in with James Alan
     
      
     
    What is your first memory of magic?

    Memory is tricky at that age. I can reconstruct after the fact that I definitely saw Penn & Teller do “Blast-Off” on the Muppet Show

     
     
    How long have you been performing professionally?

    My first paid performance was in 2007. I think I started identifying as a professional around 2012. 


     
     
    Why is now the right time for you to be at the Fringe?

    At any given time, I have three or four shows I could do. I interact with the audience a lot. So what I do really has to be grounded in the space I’m in. Magic & Martini (2016-2020) always took place in a cocktail lounge. My virtual show, Bring Magic Home, never tried to hide the fact these weird Zoom get-togethers were utterly mad. 

    The Toronto Fringe is enormous. This year it has one hundred twenty-three shows. And those slots are assigned by lottery. Some years I get busy and don’t get around to applying. But really it was a random number generator that decided this was the time. And so I didn’t know what the show would be until I found out where it was going to be. But once we knew, the whole show basically came together in one afternoon of shuffling index cards around a coffee table. 



     
    What is the title of the show?

    Mysteries and Lies. I’m chronically obsessed with the paradox of truth in magic — that there is no way to do what we do honestly. My last Fringe foray was called Lies, Damn Lies & Magic Tricks. There’s a naive version of magic which is about fooling people — I know something you don’t know, Nyah! But there’s a more interesting more grown up version which is about getting people to think about what shouldn’t and shouldn’t be possible. But fooling someone is tightly bound up in that project so it’s a very fine line to walk.

    I want people to have an amazing — maybe even a profound — experience. But I don’t want to fall into the trap that so many in the industry do of thinking that you need people to think it’s “for real” in order to be respectable. There shouldn't be a contradiction between being totally amazing and being “just a magic trick”. 
     
     
     
     
    How, if at all, does this show differ from your previous shows?

    Because the theatre is a very intimate space, 46 seats, with raked seating, we decided this was going to be a close-up show — like what you might see at the close-up room of the Magic Castle. The format is one I hadn’t really worked in before 2020. I never really sat down, even to do close-up magic. I got used to it doing virtual shows, where I opted to sit behind a desk. And during re-opening after the pandemic, there was an awkward period in Canada where you weren’t allowed to have more than ten people in a gathering. So my private shows moved from the end of the room to around the coffee table or the dining room table. (Again, so that the magic can be grounded in the environment. The show happens in your living room. I don’t try to make you pretend your living room is a bar or a theatre or a comedy club.) 

    But it also means this show is really brand new. If you saw Magic & Martini, before the pandemic, this will be completely different.

    The show is thematically richer — maybe just because I’m older. Recently truth has been top of mind. We’re bombarded by fake headlines, fake experts, AI slop and the threat a Large Language Model is coming for your job. So as someone who is trying to walk this tightrope of honest lying, my job is to channel all that angst into a real experience, but without making things explicit so you feel like you’re watching a TED talk about what to do if you think your toaster might be conscious.


     
     
    When did you start writing and preparing for this show?

    I found out where the show was going to be in mid January and that’s when I seriously started preparing. The origin of the show we wound up doing is actually a bit stranger. 

    I did get used to the idea of performing at the table during re-opening. But the first one of those shows was actually in January of 2020. I received a last minute inquiry on a Sunday morning for a show that night. It was for four people. They wanted something to lighten the mood after they got back from a funeral. (Friends of mine know that the stranger the request, the more likely I am to say yes.) So in my mind, that show was Mysteries and Lies v1.0. And there is actually one trick from that which survives into this version. 

    The other weird thing that seeped into this show is that the theatre is inside of a converted school classroom. It’s one of the old red brick kind built in 1914. So the hallway has that odd proportion designed to funnel hundreds of kids to and from recess. The doors are classroom doors. So we’re playing with the idea that we’re surveying all of the regular school subjects — science, history, math — through the lens of magic. 



     
    Will you tease an effect or two for us?

    I would rather people be surprised. But if someone is willing to do some work, they can earn a spoiler. When The Beatles appeared on The Ed Sullivan Show, we got so swept up, we forget that immediately after that, there was a magician on, who did two tricks. The show contains one of those. There is also a piece by Tommy Wonder that he was so protective of that he withheld it from publication in The Books of Wonder. (But he later softened and ultimately shared it in 2003.) I’ll be doing a version of that. 
     
     
     
    Is there anything else you’d like to share with the readers of Canada’s Magic?

    If they have the time, they should take the time to experience the Fringe. There are over a hundred different shows. So part of the fun is making a day of it, and seeing what new and different things you can experience. 



     
    Thank you James, for making the time to answer our questions!
     

    For more information about the Toronto Fringe, visit FringeToronto.com

     

      Mysteries and Lies  

     

     


     

     

     

     

     

    04 June 2026

    A Week in the Life of Champions (of Magic) -- part 1 of 3

    Updated June 26th to add:

    • Welcome to readers of Duncan Trillo's excellent weekly newsletter, MagicWeek!  We hope you enjoy your stay!

    -- 

    An abridged version of this article first appeared in last month's issue of VANISH (May 2026 #142, pgs 48 - 53).  Republished with permission. 

    Wherein we share some trivia about a cast member, take a good look at the behind the scenes effort involved in putting on the show, and take a bit of a tangent in order to drop Alan Hudson's name.


     

    A Week in the Life of Champions (of Magic) -- part 1 of 3 

    On a cold and grey December day, I met up with the Champions of Magic crew at the Bluma Appel Theatre in downtown Toronto.

    My mission: to shadow the company from load-in to load-out, for their 13 day Toronto stay. 

    I was unable to attend two of the days and four of the days were statutory holidays. Allow me to take some liberties with the timeline and present to you what I learned spending A Week in the Life of Champions (of Magic). 


    Continue reading this password protected article.

    Password clue:

    • Canadian magician who appeared on The Muppet Show
    • Additional clue for our UK readers, this magician also ran as a candidate for the Natural Law Party in England in the early 90s.

      Format:  Firstname_Lastname

     

     

    Post-script 

    In 2026 the Champions team will present their biggest engagement to date, a summer residency at the Studebaker Theatre in Chicago. Alex, their producer, said, "Our run in Toronto was something of a test for this longer engagement. Taking away concerns of trucking and travel allows us to add even more magic and production, to deliver the greatest version of the show possible. The Studebaker is an ideal environment to present what we’ve been honing over the last 13 years, as well as some brand new illusions that we’ve been developing which can’t be done on a touring schedule."

    Be sure to check out their show if you’re in the Chicago area this summer! 

     

    For tickets and more information, visit ChampionsOfMagicTour.com 

     

    Read Part 2 in this month's issue of VANISH Magic Magazine (June 2026 #143, pgs 48 - 53)

     

    From the May 30th Instagram post by Champions of Magic

     

     

     

     

    06 May 2026

    Canadiana in the May issue of VANISH (#142)

    Lots of Canadiana in this month's issue of VANISH (#142):

    • Gracing the cover is Wes Barker, with accompanying 9 page feature,
    • Connie Boyd writes about Josephine Lee and Femme,
    • The first of a three part behind the scenes series with Champions of Magic in Toronto, and
    • Our thoughts about Michael Close's class Explorer 2: Build Your Skills

    Read about these and much more in the May issue of VANISH Magic Magazine!

     

    Catch a sneak peek into the issue in the May 1st Instagram post by VANISH.

     

     

     

     

     

     

     

    27 April 2026

    Mirrors vs video camera for practise -- a false dichotomy?

    Last September we had the pleasure of listening to two well respected master card magicians speak.  Both of them touched on the topic of practise.  

    • Magician A suggested that reviewing video recording of one's performance was optimal because among other things, magicians are unlikely to catch a poorly performed sleight in the mirror.*  
    • Magician B suggested that performing in front of a mirror was the way to go, because you need to learn how to adjust in real time, if something goes wrong in the execution of a move.        

    They both raised valid points.  We got to wondering how you, dear readers, practise?

    In October, we asked the following on Facebook and Instagram:

    What do you do when you practise?  Do you:
    A. Use a mirror 
    B. Video record the session 
    C. Both of the above 
    D. None of the above 
    E. I don’t practise 

     

    Seven people replied.  Two were 3-way mirror responses, two were video responses, we had two responses from those who do neither, and one of you have a very thoughtful practise involving both mirrors and video.  

    The practise preference was divided along social media platforms. 

    • Facebook preferred video,
    • Instagram favours mirrors or neither. 

     (With N=7 it's difficult to draw meaningful inferences.  We found it interesting nonetheless.) 


    From the April 27th Instagram post @CanadasMagicDotCom

     

     

    A thought from the pro-video camp:

    • Chris Yuill wrote
      " If you use a mirror but look down to look at the props you miss seeing what happened at that moment. Just my opinion.

      "PS if you video yourself to post on social media, watch the video first before posting. See too many crappy videos of crappy done magic on FB and the gram." 

     

    A very thorough and insightful answer from Eric Bedard, who kindly took the time on October 2nd to write [emphasis added]:

    "Mirror at home when first learning a new sleight or routine (3 mirrors one head on, two at 45 degrees on each side), also practice facing the mirror, then turn right angle to one side so you can see what people see over your shoulder or looking behind you, then repeat on the other side - when you are satisfied that you do not flash, then record at home several times while tweaking, adjusting blocking, checking script and timing, etc. and then definitely record the first time if it is a stand up routine. Close-up if you do all of the above, you should be bullet proof when you perform. However, you will continue to make adjustments and improvements once you have performed the first 100 times - in Martial arts it is said that you must do a move 10,000 times before you can start to really learn it - in Magic it is not 10,00 but definitely after you have field tested a routine, trick or sleight a minimum of 100 times, you can start to really understand the subtleties involved. Real world practice is best, just make sure you are bullet proof before you perform out in the world or you make us all look bad. Carry on......" 

     

    We have nothing to add to Eric's excellent answer.  It seems that the method of practise is often presented as a false dichotomy.  One or the other.  In reality, a blend of both may be the recipe for optimal results.

    In the comments, let us know whether you use mirrors or video or both in your practise!


    -- 

    * We have heard it said that when practising in front of a mirror, magicians are more likely to blink while performing the sleight, and therefore will be unable to see themselves flash or make a mistake.  We wondered if there was any literature to back this claim.  This is what we found: 

    • From a 2022 paper by Anthony Barnhart [emphasis added]:
      "Indeed, magicians were more likely to blink when engaging in deceptive action than when not, and blinking was more prevalent when performing more difficult sleights. However, this tactical blinking was only evident in the performance setting." [1] 

    • A quote from Anthony from a September 2022 article [emphasis added]:
      "'While my magician participants were more likely to blink their eyes when carrying out deceptive action than when not, this tendency was increased in a performance setting without a mirror compared to a rehearsal setting with a mirror,' Barnhart explained to PsyPost. 'This was surprising and didn’t match the predictions from the world of magic.'" [2]

     
    Other thoughts about practising in front of a mirror:

    • "Do not watch yourself in a mirror as you practise. You cannot perform the action naturally if you divide your attention between what you do and how it looks. Moreover, mirror watching has a tendency to cause the eyes to widen; this is not attractive and can become a fixed habit." [3]



    References: 

    1. Barnhart, A. S., Richardson, K., & Eric, S. (2022). Tactical blinking in magicians: A tool for self-and other-deception. Psychology of Consciousness: Theory, Research, and Practice, 9(3), 257. DOI:10.1037/cns0000321

    2. Ellwood, B. (2022). Study suggests magicians unconsciously blink their eyes to manipulate the audience during difficult tricks.  PsyPost.
      https://www.psypost.org/study-suggests-magicians-unconsciously-blink-their-eyes-to-manipulate-the-audience-during-difficult-tricks/

    3. Hugard, J, Braue, F. (1948). The Royal Road to Card Magic. pg 358

     

     

     

     

     

    01 January 2026

    ICYMI: Sleightly Sketchy -- First three words

    Another in an occasional series of sleightly sketchy thoughts.

     

    Sleightly Sketchy: First three words

     

    Previously shared January 14, 2024

     

     

     

     

    30 December 2025

    A peek behind the curtain with Frances Morgan from Champions of Magic

    We recently reported our random thoughts about "Champions of Magic -- Holiday Spectacular" in Toronto.  Frances Morgan, whose official role in the production is "Magic and Props Assistant," kindly agreed to do an interview with us.

     


    Read our random thoughts about 
    "Champions of Magic -- Holiday Spectacular"

    Tickets at Ticketmaster.ca 

     

     

    A peek behind the curtain with Frances Morgan
     
     
     
    Based in Spokane, Frances:
    • performed as a Magician’s Assistant at Silverwood Theme Park in 2022
      Read more (click to show | hide)At the theme park we did grand scale illusions as well as a few smaller illusions and routines. My favorite was our opening act that the magician and I created together (about a week before opening day!) I got hired quite unexpectedly, and had to jump in quickly. I was hired at the end of May and the full season started the first week in June. Before that, I had never been involved in a magic show in any capacity. So it was quite the adventure having to learn everything in such a short amount of time. That lasted a season before I moved on to starting my own show and forming my company, Inland Northwest Magic [INWmagic.com].

    • debuted her first show as a magician in 2023, 

    • won First Place in the Spokane Magic Club's Close-Up competition, 
      Read more (click to show | hide) For my first local competition, I did some simple card routines, but what I have always stood behind is even the most simple magic can be amazing with the right presentation. I had music playing in the background, chose my setup carefully and rehearsed until the last moment to make sure it was ready. It was my first competition and I had just debuted my first solo show a few weeks prior, so that October was a fun and busy month! Some of the card moves in the routine I performed were taught to me by the magicians I met through the magic club     
          
    • and competed in the 2024 IBM Stage Competition.
      Read more (click to show | hide)At the annual IBM International Championship, I competed in the Stage Magic category. I had just joined the IBM as I had been elected Vice President of my local magic club and needed to join the IBM in order to do so. When I joined, I saw they had a convention coming a few hours away from me in Washington and knew I had to go. Magic conventions rarely, if ever, come to Washington or Idaho so I took hold of the opportunity and it was one of the best decisions I have ever made. When I joined, I saw they also had a competition and figured I had nothing to lose so I sent in a video on the last day available for submissions. I had only been performing as a magician for a short while, so I looked at the show I had, took the routines I got the best reactions from and created a new sequence to make a roughly 8 minute routine. I went to a local park with my friend, we filmed it, went to a restaurant and uploaded it. 

      I never actually expected to hear anything back, but about a month later, I saw an email in my inbox from IBM. The headline was simple “I.B.M. Contest”; the opening, polite “Thank you for sending your submission for the 2024 Tacoma I.B.M. Convention Competition.” Reading this, I fully expected it to be a polite ‘thanks but try again later’ kind of email, but to my surprise I read and re-read and for good measure read again the next line. “Congratulations, we are pleased to inform you that you have earned a spot in the finals of the Gold Medal Competition and will appear on the International Stage Championship”. I began to jump and run around the house in complete shock and happiness. That competition was my turning point as a magician. 

      Competing at IBM, I truly felt like I was a magician. This was not just friends and family, this was a panel of judges who looked at my performance and said ‘yes,  she can compete at this convention’. It truly is and was an honor to be there.

      I did a linking ring routine (which I started to perform at the request of my mom who has always loved the linking rings and which has since become a staple in my shows), a dream bag production, where I make flower boxes appeared; and a torn and transformed paper to kabuki effect.

     

    I learned so much from performing at IBM, including the simple fact of taking a chance, because even if unlikely, you just might get the opportunity you were looking for. This same lesson led me to Champions of Magic! By asking, I was able to connect with the producer, who very kindly took time to answer questions I had about the business side of magic and eventually led to me being asked to come on tour.

     
     
     
    What is your first memory of magic?

    When I was about 3 I went to a theme park and there, I experienced my first magic show. My favorite routine was when the magician made a table float on stage and to my astonishment, proceeded to walk down the stairs into the audience with the table! Ever since then, the floating table has been one of my favorite illusions to perform. When I went to my first magic convention, I had the honor to meet the builder of the illusion, and have been performing it ever since. 

     
     
    What genre of magic has your focus currently?

    Everything! Different circumstances allow for different magic. My love of magic stems from my love of connecting people and bringing stories to life. I am working on a Valentine's theme show using both stage and close-up magic. The theme is a love letter to magic and wonder, and will be performed in a movie [theatre] that was first owned by a magician. I have the honor of being the first magician to perform magic there since him in the past 50 years! A show that gets to play with a history like that is such a thrill and an honor. 

    I love the theatrics of stage magic and helping the audience get lost in the wonder and story of it. Theatre is my first love, having grown up performing since I was about 3 years old. Close-up magic is a new adventure and for me, the appeal lies in connecting with the audience in an up close manner. Having magic happen in your hands as an audience member is one of the most amazing things you can experience. I also love doing walk-around magic for events. I usually start with just conversing with people. Many people have at least some small connection with magic, and often I can utilize that when I perform magic for them. I get to have fun weaving their stories into the magic to create something personal for them and unique for me. 


     
     
    Why did you want to become part of the Champions of Magic behind-the-scenes family?

    I saw Champions for the first time in 2022. It was my first time seeing a magic show of that magnitude and I absolutely fell in love with it! My favorite part was the ensemble aspect of it. Magic usually features the solo magician but growing up in theatre, nearly every show I saw had an ensemble of actors working together to build a story. The ensemble aspect of Champions felt more natural and exciting to me. One of my favorite parts of theatre is getting to play off the other actors in a scene, and I got to see that same playful creativity with Champions. 

    Magic has this amazing ability to bring the audience into its space. Unlike other forms of theatre, magic breaks the 4th wall and gets to incorporate the audience unlike anything else. Magic has all the wonderful qualities that I love about theatre and then some. It is more spontaneous and can connect with an audience in a unique way; Champions shows that in a wonderful and grand display. 



     
    What are your roles on this tour?

    I get to do a little bit of everything! My official title is Magic and Props Assistant. I work primarily with the props team and between the three of us we take care of over 200 props in the show, from sunglasses to a sparkly, metal moon. We build, repair, improve, set, strike and pack all the props every new show day. I also get the chance to be onstage as an Assistant for a few of the acts. For one routine, I get to wear the dress I wore as an Assistant in the theme park, so a fun personal call back, and I also wear a necklace of a snowflake that my family gave me for Christmas a few years ago. For me, it is a way to bridge my past experiences with this new chapter. 
     
     
     
     
    What surprised you most about touring with this ensemble of magicians?

    This is my first tour and I have an immense amount of respect for the stamina of this group! Especially the crew and the producer. Every person works incredibly hard and will jump in to help when needed. If one of us is sick or injured, or simply let something slip in the rush of the moment, we all try to pull together to help one another and give the best experience possible to the audience, while supporting each other as a team. 


     
     
    Tell us about a highlight from this tour.

    One highlight was at one of the shows, we invited a kid onstage and he had the best time! I got to interact with him and his mom off stage and his whole face lit up at being a part of the show. Getting to inspire people of all ages is just spectacular!


     
    What compelling reasons are there to come see "Champions of Magic:  Holiday Spectacular"?

    Theatre is magic when seen live, and a live magic show is theatre on another level. This show has something for everyone of all ages. One of my favorite aspects is the different genres that come into play. 
     
    Some examples: we have a callback to old Hollywood detective mysteries, a sit-com holiday party, and a tribute to grand scale Las Vegas magic shows. We also get to bring a few people up on stage to witness the magic up close!

     
      Frances' connection to Canadian magic  
    There is a podcast called Discourse in Magic that talks about the business side of magic as well as interviews with magicians, and it is run by Jonah Babins from the Toronto Magic Company! I have listened to many episodes of that podcast.

     
     
     
    Is there anything else you’d like to share with the readers of Canada’s Magic?

    Happiness is magic. Keep sharing the magic. Join the email list of Champions of Magic and come follow along on the adventure! 




     
    Thank you Frances, for making the time to answer our questions and congratulations on your recent achievements!
     
     
    Learn more about Frances at her website INWmagic.com and sign-up to her email list.
     

     

      Champions of Magic Holiday Spectacular  

     

    Read our previous interviews with the cast:

     
    Learn more about Champions of Magic at 
    ChampionsOfMagicTour.com and follow them on Facebook, and Instagram



    Champions of Magic 'Holiday Spectacular' tour


     

     


     

     

     

     

     

    22 December 2025

    2025 Inspirational Canadian Magician Showcase summary

    This concludes the 2025 Inspirational Canadian Magician Showcase (ICMS)! 

    We hope you enjoyed reading about many of the talented magicians across the country.  Thank you for joining us on the journey.

    A huge shout out to everyone who submitted names and supporting text to us last month.  Thank you for generously making the time to celebrate your peers!

       

    We couldn't have done this without the help of:


    Thank you for the thought and time involved in sending us your submissions.

     



    Congratulations again to everyone featured.  Keep up the great work!

    Be sure to click on the links below to find out what makes each magician inspirational in their own right.  The story isn't just about who was selected.  Of equal, or perhaps greater importance, is why they were selected!










    19 December 2025

    Ian Stewart: Inspirational Canadian Magician

    Last, but certainly not least in this year's Inspirational Canadian Magician Showcase, is Ian Stewart!

     

    Ian Stewart: Inspirational Canadian Magician
    Ian Stewart: Inspirational Canadian Magician.
     
     

     

    Canadian magician, hypnotist and multiple record holder Ian Stewart is an inspiration because despite his multiple achievements his pure love of magic is demonstrated by his unwavering support and mentorship of up and coming magicians. 

    In his home of Nova Scotia he has been a constant source of help in supporting the local magic community. All the while asking for nothing in return -- just because of his love of magic. Ian also is constantly a source of encouragement for local magicians to push their own boundaries.

    Submitted by Tabraze Sheikh 



    Congratulations Ian!  Keep up the great work!

    To learn more about Ian Stewart visit his website at WorldRecordMagician.com and follow him on Facebook and Instagram.


    Thank you to Tabraze, for your excellent submission!  

    To learn more about Tabraze Sheikh, follow him on Facebook and Instagram.






    18 December 2025

    Chris Gowen: Inspirational Canadian Magician

    Next in this year's Inspirational Canadian Magician Showcase, is Chris Gowen!

     

    Chris Gowen: Inspirational Canadian Magician
    Chris Gowen: Inspirational Canadian Magician.
     
     

     

    Chris has been consistently increasing the quality, variety, and strength of his shows. He's been performing multiple times per week at the Rec Room in Edmonton, and selling out many of them. His dedication to creating original effects, always looking to improve, and constantly learning and putting on multiple shows per week is an incredible inspiration.

    Submitted by Ryan Michael 



    Congratulations Chris!  Keep up the great work!

    To learn more about Chris Gowen, visit his website at ChrisGowen.ca and follow him on Facebook, and Instagram.  


    Thank you to Ryan, for your excellent submission!  

    To learn more about Ryan Michael, visit RyanMichaelMagic.com and follow him on Facebook and Instagram.  






    16 December 2025

    Ryan Joyce: Inspirational Canadian Magician

    Next in this year's Inspirational Canadian Magician Showcase, is Ryan Joyce!

     

    Ryan Joyce: Inspirational Canadian Magician
    Ryan Joyce: Inspirational Canadian Magician.
     
     

     

    Ryan Joyce for his continued leadership of the Canadian Association of Magicians.  Notably in 2025, Ryan championed the the launch of the "Canada Proud" deck of playing cards, which features his artwork on the backs.

    Submitted by Mystery Magician II 



    Congratulations Ryan!  Keep up the great work!

    To learn more about Ryan Joyce, visit his website at RyanJoyce.com or follow him on Facebook and Instagram.


    Thank you to our anonymous Mystery Magician II, for your excellent submission!






    15 December 2025

    Stéphane Bourgoin: Inspirational Canadian Magician

    Next in this year's Inspirational Canadian Magician Showcase, is Stéphane Bourgoin!

     

    Stéphane Bourgoin: Inspirational Canadian Magician
    Stéphane Bourgoin: Inspirational Canadian Magician.
     
     

     

    Stéphane has been a driving force in the Montreal magic community for years. 

    He has been creating relentlessly and consulting on some of the biggest projects out there — from collaborations with Cirque du Soleil to theatre productions and television.

    Just this year, he created the magic for Luc Langevin’s new stage show and consulted on the theatre adaptations of Dracula and Peter Pan, just to name a few of his projects. 

    Always generous with his time and advice, he continues to be a vital part of our community.

    Submitted by Marc Trudel 



    Congratulations Stéphane!  Keep up the great work!

    To learn more about Stéphane Bourgoin, visit his website at StephaneBourgoin.com or follow him on Facebook and Instagram.



    Thank you Marc for your excellent submission!

    To learn more about Marc Trudel, visit MarcTrudelMagicien.com and follow him on Facebook and Instagram







    10 December 2025

    Ed Fernandez: Inspirational Canadian Magician

    Fourth in this year's Inspirational Canadian Magician Showcase, is Ed Fernandez!

     

    Ed Fernandez: Inspirational Canadian Magician
    Ed Fernandez: Inspirational Canadian Magician.
     
     

     

    Ed has been an inspiration for me when I first met him in 1976 at a night club in St. Catharines. He was touring with Johnny Green and the Greenmen (the Jokers henchmen from the original Batman TV series).

    He toured the world with his illusion show on premier cruise lines. He had the largest Illusion show of its kind in Santo Domingo. He was an act in Liberace's show in Las Vegas and appeared in many television talk shows. 

    This past year he suffered a serious health scare and got through it with flying colours. We worked together in Quebec this past September. 

    Ed performs Mentalism and Hypnosis these days. What an inspiration!

    Submitted by Ken McCreedy 



    Congratulations Ed!  Keep up the great work!

    To learn more about Ed Fernandez, visit his website at FernandezHypnotist.com or follow him on Facebook.



    Thank you Ken for your excellent submission!

    To learn more about Ken McCreedy, visit KenMcCreedy.com and follow him on Facebook







    08 December 2025

    Alain Choquette: Inspirational Canadian Magician

    Fourth in this year's Inspirational Canadian Magician Showcase, is Alain Choquette!

     

    Alain Choquette: Inspirational Canadian Magician
    Alain Choquette: Inspirational Canadian Magician.
     
     

     

    Alain Choquette embodies the spirit of Canadian magic with his unique blend of storytelling, wonder, and heartfelt connection to audiences. In 2025, his performances reminded me how magic can transcend language and culture, inspiring me to pursue creativity with authenticity and passion. He is truly one of the greatest entertainers to ever exist in the world of magic, and his career continues to show that true magic lies in touching people’s hearts. 

    Submitted by Alex Boyer 



    Congratulations Alain!  Keep up the great work!

    To learn more about Alain Choquette, visit his website at AlainChoquette.ca or follow him on Facebook.



    Thank you Alex for your excellent submission!

    To learn more about Alex Boyer, visit his website at AlexBoyer.com, and follow him on Facebook and Instagram.