We're delighted to bring to you a brief interview with
Young and Strange in which we learn, among other things, how they
earned the sometimes used moniker, "the bickering illusionists."
We’ve heard and read multiple versions of your double act origin
story. What really happened to bring you two together?
Young: We realised early on that the real story wasn’t what
people wanted to hear. They would ask and we could see them zoning out and
being disappointed with the truth so we decided to tell them what they wanted
to hear; that we are childhood friends. It is also shorter so that worked
great for us too. We are not childhood friends (or even friends these days)
and didn’t meet until 2008, we were both working as close-up magicians in the
same town (we are both from Oxford, that is true) and we kept hearing
each-others names, Sam reached out and suggested we meet, so we did. Initially
we just discussed close-up magic and gigs, it was around 18 months later we
did our first stage show together, however it wasn’t as a double act, we both
performed individually.
Strange: In that first
theatre show, we did perform a few routines onstage together (as well as our
individual ‘acts’). Those were the most enjoyable aspects of the show and also
the bits that the audience seemed to like best. We both loved the process of
putting on a theatre show and that shared passion meant we did other local
shows together. We used the income we could generate from close-up gigs to buy
illusions and pursue the double act. It wasn’t until the first series of
Penn and Teller: Fool Us
came along (back in 2011), that we were forced to make a decision on the name
of our double act. A call from a researcher on the show asking what we would
like to be called was followed by a conversation about whether 'Rich and Sam’
was a good option. 'Young and Strange' are our real names so it was a simple
enough decision in the end.
Young (left) and Strange in silhouette
What strengths do each of you bring to the partnership?
Young: Occasionally Strange oils the wheels of the 360 illusion.
I do everything else.
Strange: I am pretty good
at the art of deception. Young thinks I oil the wheels on the 360, when in
reality I delegate that job to our stage manager.
Only a handful of male illusion double acts come to mind. What
motivated you to pursue this path?
Young: Illusions are so much fun to perform, we just loved
it from the very beginning, well I did. Strange was very lost in life. It is a
lot of hard work and they are so expensive and hard to move around. It’s a lot
easier in both respects if there are 2 of you. We really are not very smart
and it is entirely truthful to say there was no ‘master plan’ or consideration
into the commercial opportunities that come from being an illusionist double
act. I regularly get pretty upset and have to revisit my therapist when I
realise he has taken half of the money.
Strange: Scott Penrose once said that being an illusionist is 20% magician and 80%
furniture removal man. Having 2 of us to help move that furniture made life a
lot easier. It’s also good to have a mate to debrief the show with and someone
who wants to dissect each performance. Working on your own without a director
or people in the audience to give feedback must be very lonely. The dynamic of
2 of us also allowed us to bring something to the performances other than just
the box illusions.
Young & Strange - Delusionists is fun for the entire family. It’s a
fully interactive and immersive experience, with extraordinary appearances,
vanishes, mind reading and more. It’s all tied together with a mind blowing,
sensational finale that’s filled with the biggest stage illusions, rivalling
any Las Vegas show. Book tickets now to avoid disappointment.
We assume that you perform some pieces of the
Delusionists show as part of the Champions of Magic ensemble. What are the similarities and differences between
Young & Strange Delusionists and your performances in
Champions of Magic?
Young: Yes, some of what you will see in Delusionists you
may have seen in Champions of Magic, however we think if you’ve seen us
before in that show you’ll really enjoy coming and watching us sweat and no
doubt screw up at least some of the plethora of new and unfamiliar material
which we will attempt on this Ontario tour. What’s genuinely so exciting to us
is that Delusionists gives us an opportunity to really connect with the
audience on a deeper personal level as we simply have more time to do so.
You’ll see a complete mix of magic at Delusionists. Not just the
largest stage illusions but also close-up, mentalism effects (we promise done
in a speedy fashion, you won’t be bored) parlour magic and Strange might even
be presenting his full (not) FISM level card manipulation sequence.
Strange: Although we have been performing together
for a long time now, Delusionists is a relatively new show. It
comprises a lot of material that we have performed over the years. However,
there is some new content too. That is one of the best combinations to watch
live. You will get to see well worked and honed performances that will make
you think 'these guys are such professionals.' That will butt up against new
material which will make you think 'these guys are such amateurs.' You’ll get
to experience complete competence and then shocking incompetence, which really
makes for good viewing. I’m not sure if this is mentioned in the blurb or
ticket small print, but the 360 illusion is likely to be cut from the show due
to a lack of oil on the wheels.
Much of your act involves a great deal of physicality. How do you
stay show ready? (Do you train? Do you have an active lifestyle?)
Young: I mean look at me, clearly not. From time to time I will
walk to Denny’s if less than 8 minutes away and the outdoor temperature
is above 75 F. I did have a really bad back on the final leg of the last
Champions tour which was a big wake up call to me. I have quite a lot
of pride in the fact that I have never missed a Champions show in 10
years but I was really close to missing one because of this injury, I was in
enormous pain during that first show after I did myself in (lifting my
suitcase into the tour bus of all the stupid possible reasons). Potential
injuries are another reason to attend Delusionists, there’s always the
possibility Strange will fall off our beautiful Bill Smith
Fire Spiker.
Strange: 'I hurt my back
carrying the show’ was Young’s stock response in the aftermath of the suitcase
debacle. It was a dark time. It’s one of the great things about being in a
double act though as there are times when we can help each other out. I’m not
a doctor but his back would get particularly bad and inflamed during a load-in
or load-out, whenever a prop needed maintenance, or if an email needed a long
response.
Young (left) lets Strange take the spotlight
The soundtrack for your show definitely enhances the impact of your stage
performance. Longtime fans will notice that it evolves with time (eg.
one of your signature pieces which you performed in 2017 on
Penn and Teller: Fool Us
has music with a very different feel than Live and Let Die (by Wings) which you use
today.)
From where (or from whom) do you get your inspiration for your music?
Young: In the early days I found most of the music, it was Alex
our Producer who suggested Live and Let Die for our cardboard box
trick, I have hated it since the first performance but he does pay us well so
I have said nothing. All of my own music suggestions have been vetoed by Alex
and Strange since around 2019. I once suggested
Guns N' Roses November Rain to Strange and he said we couldn’t use it
as he had never heard of it. The song currently has nearly 3 billion views on
YouTube.
Strange: Go onto YouTube and type
'November Rain.’ 28 views. Hang on that might be a B, not and 8, but whatever.
Crazy Frog has 4B but I had to talk Young down from that track as he
wanted to use it for a poetic, emotional and reflective
Miser's Dream routine.
What is the biggest change to your act, or change in your approach to
magic, since your producer Alex Jarrett first saw you at the Edinburgh
Fringe Festival?
Young: The biggest change to the act was when Strange had a baby
went home and Alex Jarrett stood in for him for a couple of weeks. Young &
‘Strange’ never had more positive feedback. The act was tight, professional,
had improv skills and people loved us. For the first time ever, people
actually wanted their photo with Young & Strange. I really tried to
convince Alex to not allow Strange back and to continue on the inevitable
golden path that lay ahead of us, sadly he said he couldn’t do it as arguing
with venues about the cleaning costs for the end of show confetti takes up too
much of his time. I still believe that had he said yes there is a good chance
my house today would have more than 2 bedrooms.
Strange:
Interestingly, whenever the biweekly conversation comes up about ‘The worst
ever Champions of Magic gig,’ Corbin in Kentucky is top of the list. I
can’t remember the exact date of that show but I know my daughter's birthday
is on 14th September.
Our biggest change to our act since meeting Alex Jarrett is that we have been
kept busy working. He has provided us with air time on stages around the world
for many years and that has allowed us to evolve and develop as an act. Alex’s
passion is firmly rooted in comedy and that has no doubt impacted us along the
way.
(not) Strange (left)* and Young post-show Meet and Greet, circa September 14th * Alex Jarrett, producer
Young's go-to Karaoke song:
Kayla Drescher and I used to sing
Phantom of the Opera together when we were on tour. I haven’t been able
to sing it since she left… it’s just too hard.
Young, are you tired of Strange riding on your coattails all these years?
Young: He knows the right thing to do is change the agreement
from 50/50 to 60/40 (at least). He knows this deep down, he also knows I can’t
ask for it and he has to offer. It’s just plain selfish that he hasn’t
already.
Strange's go-to Karaoke song:
I have always loved Guns N' Roses November Rain. It’s my
go-to track and I love it.
Strange, are you tired of Young riding on your coattails all these
years?
Strange: I have heard many, many people over the years say that I
do all the heavy lifting in the act. That accurate metaphor became literal
after the suitcase saga of 2023.
Is there anything else you’d like to share with our readers?
Young: We really do hope magicians will consider coming along to
Delusionists we really think they will enjoy slagging us off both
during intermission and after the show questioning and criticising our
material choices, show structure, and inevitable screw ups. They will feel
great after knowing they would have done a better job. We think they will have
a great time. Hope to see you all there.
Strange: If you are coming to the show then can you please visit the merchandise stand
and buy a shot glass? We ordered 1,000 shot glasses (the minimum order
available) and in the past year we have sold 18. They can double as candle
holders or if you hold one close to your ear you can hear the sea.
Young and Strange "One More!" shot glasses 📸 : Kidlet, Kitchener, 2022
Thank you Richard and Sam, for making the time to answer our questions!
Read our 2022 interviews with
Richard Young
and
Sam Strange
where we learn about their favourite:
- thing about touring with Champions of Magic - piece to perform in Champions of Magic - Canadian thing
- part of the show to watch, and - biggest change in the past 10
years