Alex gives us an insider's perspective into the thought and effort involved in getting a shot at a chance to become "an overnight success."
Catch up on his journey thus far at his blog at The Alex Kazam.
From his December 20th post "America’s Got Talent – Part One: Getting Told “GO”":
In due time, for now, let me begin at the beginning. It was December 7th, 2017. I was performing at my usual Thursday night spot, St.Louis Bar and Grill in St. Catharines, Ontario. It was one of the first really cold nights, the evening was just starting up. The restaurant was still fairly quiet, and slowly starting to fill with patrons anticipating dinner service. I moved to my usual spot in the back corner of the space, hung up my coat, and prepared what I needed to perform. I noticed my client Jim Reaman (the owner) standing near the bar chatting with some staff.
Since I had a few minutes to spare, and genuinely enjoy catching up with Jim, checking-in and so forth, I headed towards him. We quickly moved from talking about personal affairs, to talking about what I’d been working on, my aspirations, and so on. I mentioned an idea that had been floating around my head, like an annoying little balloon. Sometimes it was filled with helium, sometimes with Sulfur Hexaflouride. The idea was light, in that it was clever, fun, inspiring, educational and full of potential for awesome. It was heavy in that it was terrifying, risky, draining, and full of potential for embarrassment, failure and rejection.
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From his January 16th post "America’s Got Talent – Part Two: All Out of Ideas":
So December 11th, we began the video with my getting out of the trunk of my car, shoving balls of dough in my eyes, and putting coins over top of the dough. Duct tape fastened the lot to my face, and then I covered the lot with a sleep mask, just in case someone thought I could see through dough, coins and duct tape. Off we went. The entire journey took less than 10 minutes. Remember, the final clip was supposed to be no longer than 3. Thus, on December 12th 2018, I trimmed it down to size, added a quick opening clip of me breathing fire, and a title screen with my contact information at the end of it.
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From his January 24th post "America’s Got Talent – Part Three: Effects That Affect":
How was I making a living at this whole performing arts thing, when I couldn’t find any effects within my repertoire that was good enough to get the attention of someone representing a television network?
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From his March 1st post "America’s Got Talent – Part Four: The Sort of Conclusion":
I’m hoping, through the volume of these posts, specifically through some of these rather wordy digressions, to shine a light on the secret and dirty side of the show business world. So that should you one day be in the position of meeting a celebrity, on the set of a movie, walking by a creative project of some kind, or even just running into your friendly neighborhood mystery entertainer: you will have the experience now to engage respectfully, and with the appropriate etiquette.
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